Box Turtle Bulletin
News and commentary about the anti-gay lobby“Now you must raise your children up in a world where that union of man and box turtle is on the same legal footing as man and wife…”
News and commentary about the anti-gay lobbyMay 16th, 2016
Tamara de Lempicka (top) and “Auto-Portrait (Tamara in the Green Bugatti),” 1925 (bottom)
(d. 1980) The Polish Art Deco painter known as “la belle Polonaise,” she personified the glamor of the Great Gatsby society of the interwar years. In 1978, The New York Times called her the “Steel-eyed goddess of the automobile age.” Her famous self-portrait, Auto-Portrait (Tamara in the Green Bugatti) portrayed a woman who was utterly free, independent, and self-assured. Automobiles provided women with a freedom and mobility that they had never known before, and the portrait’s depiction of a 400 horsepower Bugatti added raw speed and power to the mix.
During the roaring twenties, Tamara lived the bohemian life in Paris, hanging out with Pablo Picasso, Jean Cocteau, and André Gide. She was famously, infamously bisexual, and she scandalized society with her very public affairs. She reveled in her notoriety. “I live on the fringe of society,” she announced, “and the rules of normal society have no currency for those on the fringe.”
In 1928, she was commissioned to paint a portrait of the mistress of Baron Raoul Kuffner. By the time she was finished, she replaced the mistress’s position, and eventually became Kuffner’s wife in 1933. In 1939, the couple took an “extended vacation” to America, and ended up staying through the Second World War, where she became a favorite in Hollywood. But by the time the War ended, her style was no longer popular. She switched from using a brush to a pallet knife, but critics savaged her work. She retired from active painting in 1962, determined never to show her work again.
In subsequent years, she not only complained that the paints and materials were now inferior to the “old days,” but that people in the 1970s lacked the qualities and “breeding” that inspired her art. After her husband died, she moved to Cuernavaca, Mexico in 1978 to rejoin the society of aging artists and aristocrats. By then, the art world was rediscovering the Art Deco era along with her paintings, which became highly sought after. She died in 1980, and her ashes were scattered over the volcano Popocatepetl.
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