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News and commentary about the anti-gay lobby“Now you must raise your children up in a world where that union of man and box turtle is on the same legal footing as man and wife…”
News and commentary about the anti-gay lobbyMay 18th, 2016
He met the famous writer, Christopher Isherwood (Aug 26), on Valentine’s day when he was eighteen and Isherwood was 48, and they remained together as partners until Isherwood’s death in 1986. Bachardy still lives in the house they shared together in Santa Monica. It’s a shame that virtually every biography about Bachardy starts with his association with the acclaimed author because Bachardy is a very successful painter in his own right. He studied at the Chouinard Art Institute in Los Angeles and the Slade School of Art in London. His first one-man exhibition was held in 1961 at London’s Redfern Gallery. Most of his work is portraiture, and several of his sketches appeared in Isherwood’s novels.
If Bachardy was sometimes overshadowed by his relationship with Isherwood, he seems to have come to terms with it. But it did pose problems between them earlier in their relationship. During a particularly difficult period when Bachardy was studying in London, they almost broke up. Isherwood imagined what it would be like to live without Bachardy, and wrote A Single Man in which Bachardy’s character was already dead before the novel began. If you know the novel’s story, the result is not a happy one.
But they did remain together, and were life-long collaborators as artists and as a couple, sharing in each other’s successes. As Bacardy explained in the 2007 documentary Chris & Don. A Love Story:
I don’t take any credit for what’s happened to me in my life. It all seems fate — my destiny and Chris’s destiny. We were actually exactly what the other wanted and needed, whether we knew it or not. Well, Chris knew it. I didn’t for a long time …. I know that Chris would agree that the last ten years or so were our best — not the early years when we were younger and beautiful, but the later years when we really just enjoyed each other’s company and worked together in a variety of ways. It all just enhanced our basic unity — unity with each other, our harmony.
Bachardy with a portrait of Isherwood
They continued collaborating, even as Isherwood was dying of cancer, when Bachardy would sketch him every single day, sometimes nine or ten times. “Chris was in a lot of pain towards the end,” he told The Sunday Times. “But he had sat for me so often over the years, and I knew this was something we could still do together. Each day, I could be with him intensely for hours on end.” On the day he died, Bachardy kept working on a sketch, a sketch of the man’s body with whom he had spent his entire adult life. “Chris would have been proud of me,” he said in the documentary. “He’d have said ‘that’s what an artist would do.’ And that’s what an artist did.”
And it’s what Bachardy did. He even drew eleven more sketches of Isherwood after he died, and was spared from drawing a twelfth when the doctor arrived. He later said, “Sometimes I see those drawings now and I can hardly bear them. I think, ‘How did I manage to do that without breaking up?'” The Animals: Love Letters Between Christopher Isherwood and Don Bachardy was published in 2013.
[Additional source: Chris Freeman. “Lives in Art: Isherwood and Bachardy.” The Gay & Lesbian Review Worldwide 15, n0. 5 (September-October 2008) 30-33.]
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