Born On This Day, 1819: Walt Whitman

Jim Burroway

May 31st, 2016

(d. 1892) Usually I commemorate famous birthdays by providing a brief biographical sketch. But when describing the life of the great American poet, it strikes me as unseemly to describe a man’s life when he has already written all that needs to be said:

When I Heard At The Close Of The Day.

WHEN I heard at the close of
             the day how my name
             had been receiv’d with plaudits in the capitol, still it
             was not a happy night for me that follow’d,
And else when I carous’d, or when my plans were accomplish’d,
             still I was not happy,
But the day when I rose at dawn from the bed of perfect health,
             refresh’d, singing, inhaling the ripe breath of autumn,
When I saw the full moon in the west grow pale and disappear in
             the morning light,
When I wander’d alone over the beach, and undressing bathed,
             laughing with the cool waters, and saw the sun rise,
And when I thought how my dear friend my lover was on his way
             coming, O then I was happy,
O then each breath tasted sweeter, and all that day my food
             nourish’d me more, and the beautiful day pass’d well,
And the next came with equal joy, and with the next at evening
             came my friend,
And that night while all was still I heard the waters roll slowly
             continually up the shores,
I heard the hissing rustle of the liquid and sands as directed to
             me whispering to congratulate me,
For the one I love most lay sleeping by me under the same cover
             in the cool night,
In the stillness in the autumn moonbeams his face was inclined
             toward me,
And his arm lay lightly around my breast and that night I was
             happy.

This poem was originally part of a sequence titled “Live Oak with Moss,” which tells the story of an unhappy affair with a man. When Whitman published the third edition of Leaves of Grass in 1860, he included then among the forty-five poems of “Calamus,” but re-arranged their order to obliterate the narrative. For the fourth edition of Leaves of Grass, two of the three poems dropped were “Live Oak ” poems, perhaps revealing that Whitman still feared that they told more than he could safely reveal. You can see the reconstructed “Live Oak” series at the Whitman Archive.

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