The Daily Agenda for Monday, February 9

Jim Burroway

February 9th, 2015

TODAY’S AGENDA:
Marriage Equality Arrives in Alabamarainbow_albama. Today will be a big day for LGBT couples in Alabama, although the arrival of marriage equality will likely not be uniform across the state. At least two probate judges will be standing at the proverbial schoolhouse door in refusing to allow same-sex couples to marry by announcing they will get out of the marriage business altogether. Three others have said that said they will refuse to honor a Federal Court order to provide marriage licenses to same-sex couples. Mat Staver of the Liberty Counsel — which has a history of flouting court orders and encouraging lawbreaking — says that he will represent them in what he calls “a significant clash of judicial power.

Federal District Judge Callie Granade, who had originally found Alabama’s ban on same-sex marriage unconstitutional, has already warned that probate judges that refuse to issue marriage licenses to same-sex couples will be subject to sanctions, including contempt of court and being on the hook for attorneys’ fees those couples accumulate. But Alabama Supreme Court Justice Roy Moore late last night issued an order prohibiting probate judges from issuing licenses to same-sex couples, setting up a classic showdown between state and federal courts. Moore, you may remember, was removed as Alabama Chief Justice in 2003 after refusing to comply with a federal court order requiring the removal of a monument to the Ten Commandments from the lobby of the Alabama Judicial Building. As the Montgomery Advertiser reported:

How the order will be enforced is unclear. The chief justice’s letter said that Gov. Robert Bentley should use “the legal means that are at his disposal” to carry the orders in the letter out. Jennifer Ardis, a spokeswoman for the governor, said Bentley’s office would have a comment on Moore’s letter on Monday.

It’s also unclear how many probate judges will follow Moore’s order. Jefferson County (Birmingham) probate judge Alan L. King told the New York Times, “With all due respect to Chief Justice Moore, he’s on the Alabama Supreme Court, and he’s not a federal judge.” Judge Steven L. Reed of Montgomery County, recalled Alabama’s history of ignoring federal court orders in discrimination cases, said, “I don’t want to see judges make the same mistakes that I think were made in this state 50 years ago, where you have state officials not abiding by federal orders. The legacy always hangs over us until we show that we’re beyond it.” But how this will play out today is anybody’s guess: probate judges, like state Supreme Court justices, are popularly elected, and opposing Federal orders is still popular politics in many quarters in Alabama.

Meanwhile, AL.com, the web site for the Birmingham News and the Huntsville Times, has a brief profile of twenty-one couples planning on tying the not today. And one Baptist pastor is prepared officiate one of those first marriages in Huntsville.

TODAY’S AGENDA is brought to you by:

From The Los Angeles Advocate, July 1968, pages 12-13.

The Park Theater opened in Los Angeles in 1911 as the Alvarado Theatre on its namesake street just off MacArthur Park. In the 1960s, it was renamed the Park Theatre when it switched to porn. In 1968, the theater switched to gay-themed movies (including porn as well as art house movies). That switch was announced in June when the theater announced “A Most Unusual Male Film Festival,” which is believed to be the first gay film festival in a regular public theater. The Park continued to show gay films until 1971, when it was renovated into a twin theater and returned to mainstream films. The theater closed in 1986. The building is still there, although its glory days are long gone.

TODAY IN HISTORY:
AIDS Employment Discrimination Declared Illegal in California: 1987. In the first such case in the nation, the California Fair Employment and Housing Commission unanimously ordered that the defense contractor Raytheon pay damages of about $6,000 to a Santa Barbara employee who was denied reinstatement to work following hospitalization due to an AIDS-related illness. John Chadbourne was given medical leave in December 19983 when he was hospitalized with pneumonia. He was diagnosed with AIDS one month later. He recovered from pneumonia and his doctor said he healthy enough to return to work, but his employer would not reinstate him without assurances that other employees would not be endangered. Instead, Raytheon kept him on medical leave, which meant that he retained his benefits (including medical insurance), but was living on significantly reduced income from his disability insurance. The Commission ruled that AIDS is a disability under the law and employers may not discriminate against people with AIDS who are able to work. With that ruling, Chadbourne was vindicated — or at least his estate was. Chadbourne died in January 1985, two years before the Commission’s ruling.

Raytheon went on to significantly improve its policies toward LGBT people and people with AIDS, becoming the first defense contractor to earn a 100% rating on the Human Rights Campaign’s Corporate Equality Index in 2005.

TODAY’S BIRTHDAY’S:
Amy Lowell: 1874-1925. Her pedigree was impeccable: her family were those Lowells, of Brookline, Massachusetts. Her brother, Lawrence, was president of Harvard; another brother, Percival, was a renowned mathematician and astronomer, founder of the Lowell Observatory in Flagstaff, Arizona, and who began the effort which led to the discovery of Pluto fourteen years after his death. Amy, born and reared at Seveneies, the ten-acre family estate, was the baby of the family. Befitting a daughter of a fine Episcopalian family of New England, she was first tutored at home, then attended the best private schools in Boston when she was not touring Europe with her family. At seventeen, her family decided that attending college was not a proper activity for a young woman, so she ensconced herself in the family’s 7,000-volume library at Seveneis and taught herself literature.

In 1902, on one of her many tours of Europe, she was inspired to take up poetry. In 1910, her work began appearing in Atlantic Monthly, and her first published collection, A Dome of Many-Coloured Glass, was published two years later. At about that time, she and actress Ada Dwyer Russell entered what was then known as a “Boston Marriage,” and they remained together for the rest of Lowell’s life. It is believed that Russell is the subject of Lowell’s love poems in  ‘Two Speak Together’, from Pictures of the Floating World.

During one of the couple’s European tours, they met the Imagist poet Ezra Pound. Lowell embraced the Imagist style, so named by the precise use of visual images to convey a clarity of expression. It was also marked by free verse, where, according to Lowell, “one must abandon all desire to find in it the even rhythm of metrical feet. One must allow the lines to flow as they will when read aloud by an intelligent reader.” Then an Anglo-American movement, Lowell’s contribution to the style was in what she called “polyphonic prose,” in which the very written structure of the poetry was broken down and rendered as prose, which was then sometimes intermixed with structured verse. Her embrace and promotion of Imagist Poetry was so intense that it actually had the effect of driving a wedge between Pound and the Imagists, who he began derisively calling “Amygists.” His criticism of Lowell became pointedly personal. Referring to her short stature, her glandular-induced weight problems (and, undoubtedly, put off by her habit of smoking cigars), Pound referred to her as the “hippo-poetess” among his friends and accused her of hijacking the movement.

While Lowell remained dedicated to modern poetry, she was also a fan of historical poets as well. In Fir-Flower Tablets, she produced prose-poetry re-workings of the literal translations of ancient Chinese poetry, and she wrote several critical works about French literature. When she died in 1925 of a brain hemorrhage at Seveneies, she left behind an uncompleted two-volume biography of John Keats, with whom she undoubtedly felt a kinship. “The stigma of oddness,” she wrote of him, “is the price a myopic world always exacts of genius.” Her own genius was recognized posthumously with a 1926 Pulitzer Prize for Poetry for What’s O’Clock.

PatRocco

Pat Rocco: 1934. Pasquale Vincent Serrapica was born in Brooklyn and moved with his family to California in 1946, where he quickly got a twice weekly radio show on Pasadena’s KWKW while still a teen. He also completed his high school credits at home after refusing to deny his homosexuality in school. And so it might be surprising to learn that while in his twenties, he met with a local Youth for Christ director, who got him a singing gig for the religious group, a stint for which he even reacorded an album of devotional musice in 1954. By this time, Pasquale became Pat Rocco, and for the remainder of the 1050s he toured for musicals and appeared as a regular for the Tennessee Ernie Ford Show.

RoccoDuring this time, Rocco became interested in photography and film and in 1967, he answered an ad to shoot stills of nude male models. Seeing the potential of a significant money-making enterprise, he created his own business, Bizarre Production, and began creating and selling photos and erotic movies by mail order. The films got the attention of the Park Theater in Los Angeles, which was interested in creating a special lineup of films for a gay audience. Rocco’s Love is Blue premiered on a bill with several other avant-garde gay films on June 26, 1968 as part of A Most Unusual Male Film Festival, in what it is believed to be the first gay film festival in a public theater.

Rocco’s films stood out for not falling into the typical blue movie formulas. His films focused on the beauty of the male form and featured storylines with positive depictions of male intimacy. As Jim Kepner (see Feb 14) wrote in his profile of Rocco for GAY in 1970:

His fair young actors approach love as if no one had ever labeled male love sick , sinful or seamy. These lyrical fantasies evoke love in a way that makes most gay viewers proud of themselves and glad to be alive. … In competition with tired physique photographers too long in the trade, Rocco’s sometimes clumsy work seemed fresh, creative, excitingly beautiful. Though some early shorts used any trivial excuse to get the youths undressed, even Rocco’s weakest short subjects were made with surprising care. And the lyrical quality of Love is Blue, A Matter of Life, Yahoo, The Performance and the unforgettable Yes left most viewers moved as few other flesh-films had done.

While his films were explicitly nude, they skirted the edges of soft porn to such a degree that many complained that his movies didn’t go far enough. But others appreciated Rocco’s approach. Several of Roccos fans formed the Society of Pat Rocco Enlightened Enthusiasts, or SPREE, in 1968, which remained active for the next ten years publishing newsletters and mounting stage and film events.Meanwhile, Rocco’s films were a regular feature at the Park Theatre until 1971, when the Park decided to return to a more mainstream audience.

Rocco also performed an important service for the local gay community by creating short documentaries of gay rights protests and interviews of local figures. But as fictional gay films became more explicit during the 1970s, Rocco spurned the opportunity to go into hardcore porn. Instead, he turned his attention to photographing and documenting events in Southern California for gay publications. His first documentary, A Man and His Dream, chronicled the early years of Rev. Try Perry’s Metropolitcan Community Church. Rocco also became increasingly involved with gay rights advocacy. He campaigned for the resumption of the Christopher Street West Pride Parade, and he organized fundraising events for numerous organizaitons and gay rights causes. He developed a special interest in providing emergency housing in Los Angeles and established his own program, Hudson House, to provide housing, job training and meals for homeless LGBT youth. Hudson House soon spread to San Diego, San Francisco, and Hawaii. Rocco and his partner have retired to Hawaii, where they continue to be active in the local community.

Holly Johnson: 1960. When the Liverpool-based band Frankie Goes to Hollywood released its first single “Relax,” with Holly Johnson on vocals, in October 1983, it took a slow three months before it hit the top of the UK singles chart. It’s rise to number one was helped along, ironically, by BBC 1 disk jockey Mike Read, who happened to notice what he called the “overtly sexual” nature of record sleeve and the printed lyrics as the single was playing. He unceremoniously lifted the tonearm, live on air, and denounced it as “obscene.” The BBC followed that with an on-air ban on all of its radio and television outlets (with the narrow exception of its top-40 countdown show). Until then, “Relax” had been a middling top-40 dance hit, but within two weeks it hit number one and remained there for the next five. It became the seventh best selling single in UK single’s history, and the temporarily ubiquitous “Frankie Say” T-shirts became not just a musical statement but a political one as well. The Beeb finally relented and lifted its ban at the end if 1984, just as a re-worked version of “Relax” was enjoying a second bout of popularity with the release of the band’s album Welcome to the Pleasuredome.

Johnson left Frankie in 1987 over differences in the group’s musical direction. After a bitter contract dispute, Johnson was finally able to start a solo career in 1989. His first album, Blast, met with some critical and commercial success, but his 1991 album Dream That Money Can’t Buy tanked. That year, he learned he was HIV-positive and withdrew from public life. Later that decade, he re-emerged as an occasional singer and, mainly, as a painter, with shows at the Tate Liverpool and the Royal Academy.

If you know of something that belongs on the agenda, please send it here. Don’t forget to include the basics: who, what, when, where, and URL (if available).

And feel free to consider this your open thread for the day. What’s happening in your world?

MattNYC

February 9th, 2015

pretty funny:

While accepting his record of the year award, (Sam) Smith said he wanted to thank the man he’s been in love with for the past year “for breaking my heart, ’cause you got me four Grammys.”

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